Jayoon Choi

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	<title>Jayoon Choi</title>
	<link>https://jayoonchoi.com</link>
	<description>Jayoon Choi</description>
	<pubDate>Wed, 20 Aug 2025 11:34:50 +0000</pubDate>
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		<title>Mov-Nav</title>
				
		<link>https://jayoonchoi.com/Mov-Nav</link>

		<pubDate>Mon, 24 Jun 2024 14:52:33 +0000</pubDate>

		<dc:creator>Jayoon Choi</dc:creator>

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Jayoon Choi&#38;nbsp;︎
Work
︎︎︎ Human Study
︎︎︎ Rock Study

︎︎︎ The Future Perfect

︎︎︎ Until The Dream Becomes Sweeter
︎︎︎ Horanggasy
︎︎︎ Nietzsche

︎︎︎ The Theory of Concentric Spheres︎︎︎ The Radio
︎︎︎ Keep Going
︎︎︎ Early Drawings


Academic &#38;amp; Public Engagement
︎︎︎ Argue with 4 Angry Women
︎︎︎ Collective Breathing
︎︎︎ Illustrating Mental Health

︎︎︎ AR Drawing

︎︎︎ Artist in Resident
Ediotial
︎︎︎Asymptote Journal
︎︎︎ Autopilot︎︎︎ A Guide to Eco-Anxiety
︎︎︎ with ninaian project︎︎︎ Publicity
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		<title>jayoon_choi_info</title>
				
		<link>https://jayoonchoi.com/jayoon_choi_info</link>

		<pubDate>Fri, 26 Jan 2018 15:08:26 +0000</pubDate>

		<dc:creator>Jayoon Choi</dc:creator>

		<guid isPermaLink="true">https://jayoonchoi.com/jayoon_choi_info</guid>

		<description>Jayoon Choi is a London-based artist. ︎︎︎ Wanna talk to her? 
Jayoon’s work is about&#38;nbsp;︎︎︎ What does it mean to be human?
&#38;nbsp;︎︎︎ How does one build the world for themselves? &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎︎︎What value do we possess or do not possess to be human?&#38;nbsp;︎︎︎ Seeking a tangible form or an experience to convey such questions
Using︎︎︎ drawing as a tool to actualise the investigation (of the above questions)
&#38;nbsp; &#38;nbsp; ︎︎︎ Automatic drawing, moving image &#38;amp; installation
Longer version&#38;nbsp;

	︎︎︎&#38;nbsp;Jayoon’s practice explores the gap between inner human experience and the act of
translating it into tangible form. She gravitates toward moments that resist language: experiences that are either too raw, too isolated, or reduced to clichéd expressions.
Through automatic processes, she investigates the vast internal landscape buried beneath our physical forms, questioning how much our bodies truly reveal about who we are. Using herself as both subject and testing ground, she engages bodily metaphors to create visual embodiments of what cannot be spoken.This embodiment takes a paradoxical form: Jayoon uses fragments of the human body to materialise intangible internal experiences. Her approach deliberately strips away constructed identifiers such as time, gender, and culture, depicting androgynous figures to uncover the essential force that inhabits the physical body.


	This inquiry echoes the Buddhist hwadu (話頭): "What moves this corpse?" —a question that drives her investigation into the ineffable nature of being human.Text extends this philosophical inquiry, serving as both seed and tool in her creative process. She weaves together personal reflections, poetry, lyrics, philosophical writings, and religious texts as foundational elements for her work. Through this interdisciplinary methodology, Jayoon attempts to embrace and speculate on shared human experiences that transcend all differences.
This embodiment takes a paradoxical form: Jayoon uses fragments of the human body to materialise intangible internal experiences. 


Jayoon is also&#38;nbsp;
︎︎︎A Senior lecturer at&#38;nbsp;the Illustration Programme at Camberwell College of Arts and an Associate Lecturer at the&#38;nbsp;MA Graphic Communication Design at Central Saint Martins.
Want further details?
&#38;nbsp; &#38;nbsp; ︎︎︎ Interview with The Women Cinemakers Magazine (2018)&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎︎︎&#38;nbsp;Linkedin??
&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎︎︎ Scroll down to see what she’s been through in a CV format&#38;nbsp;


︎︎︎


Education

	2022 - 2023
	Fellow of the Higher Education Academy,&#38;nbsp;PgCert Academic Practice, University of the Arts London&#38;nbsp;🎓

	2013 - 2015
	MA Information Experience Design, Royal College of Art&#38;nbsp;👑

	2005 -2008&#38;nbsp;
	BA (Hons) Illustration, University of the Arts London,&#38;nbsp;Camberwell College of Arts&#38;nbsp;🤟🏼


Solo

	2012&#38;nbsp; &#38;nbsp;05
    
    
	Jayoon Choi. The Lightbox Museum. Surrey, The UK

	2011&#38;nbsp; &#38;nbsp;03
	New Drawings. Jealous Gallery.&#38;nbsp; London, The UK

	
Group


2025&#38;nbsp; &#38;nbsp;11
	
Poster Exhibition: The Role of Technology in Illustration. Koç University. Istanbul, Türkiye


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 07
	
VIDAK &#38;amp; IPACT International Exchange Exhibition. Harbin, People's Republic of China


2024&#38;nbsp; &#38;nbsp;06
	
Impromptu Improvisation, Duo performance with Taehun Lee. Domagk Ateliers. München, Germany


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 05
	
The Future Perfect.&#38;nbsp;Ebenböckhaus.&#38;nbsp;Munich, Germany (Funded by&#38;nbsp;Landeshauptstadt München)


2023&#38;nbsp; &#38;nbsp;12
	
Under The Surface.&#38;nbsp;Horanggasy ArtPolygon.&#38;nbsp;Gwangju, The Republic of Korea


	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 12
	War and Peace, and Now: the Beginning of Peace Beyond Borders.&#38;nbsp;Visual Information Design Association of Korea. Seoul, The Republic of Korea

    
	2022&#38;nbsp; &#38;nbsp;12
	D-Space. Visual Information Design Association of Korea. Seoul, The Republic of Korea
2021&#38;nbsp; &#38;nbsp;04

	
	Bom (Spring). Visual Information Design Association of Korea.&#38;nbsp;Seoul, The Republic of Korea


	2019&#38;nbsp; &#38;nbsp;11
	Illustrating Mental Health. The Art House.&#38;nbsp;Worcester, The UK
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;09
	Notice The Small Things. Jealous Gallery. London, The UK


	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;06
	
	The Theory of Concentric Spheres. Yan Tan Tether. Huddersfield, The UK&#38;nbsp;(Funded by Arts Council England)
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;03
	The Theory of Concentric Spheres. SouthKiosk. London, The UK


	2018 &#38;nbsp; 11
	 Blend-in. Light up Lancaster. Lancaster, The UK (Funded by Arts Council England)

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;05
	
Meshes Present.&#38;nbsp;Genesis Cinema. London, The UK

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;04
	I am.... Kreativni KRK. Decumanus Gallery. Croatia


	2016&#38;nbsp; &#38;nbsp;10
	The Dark Arts. Candid Arts Trust.&#38;nbsp;London,&#38;nbsp;The UK

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;06
	Within. [Installation]. International Maker Festival. QuJiang Conference&#38;amp;Exhibition Center.&#38;nbsp;Xi'an, China

	2015&#38;nbsp; &#38;nbsp; 11
	The Radio. [Performance]. Wire Arts Experiment vol.2. Hackesche Höfe. Berlin, Germany

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;07
	Momentary Tremolo: Sketch_01.&#38;nbsp;play_algorithm. Parker Gallery. London, The UK

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 06
	Hypothesis on 'Type#R' Circle of Desire. Graduation Show. RCA. London, The UK

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 02
	Isle of Lost and Found. Hockney Gallery. RCA. London, The UK

	2014&#38;nbsp; &#38;nbsp;06

	The Radio. [Performance]. In Search of Perfect Sound. Science Museum. London, The UK

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;05
	The Radio. [Performance]. Mapping Post-Digital Futures Symposium. RCA. London, The UK

	2013&#38;nbsp; &#38;nbsp; 05
	Blend In.&#38;nbsp;The Inaugural Artlacuna Film Festival. London, The UK

	2012&#38;nbsp; &#38;nbsp; 09
	Korea-Sweden Traditional Culture Exchange. Durumea Museum. South Korea

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 01
	Artist in Residence. Heal's Tottenham Court. London

	2011&#38;nbsp; &#38;nbsp;&#38;nbsp;09
	Contemporary Prints. Smith Row Gallery. Bury St. Edmunds, The UK

	2009&#38;nbsp; &#38;nbsp; 08
	Small Print. Jealous Gallery. London, The UK

	
Art Fair

	2011 - 2024
	The London Original Print Fair. Royal Academy of Arts. London, The UK
2010 - 2025London Art Fair. Business Design Centre. London, The UK
	2016 - 2019
	AAF.&#38;nbsp;Tour &#38;amp; Taxis exhibition centre. Brussels, Belgium

	2014
	AAF. The Metropolitan Pavilion. New York, USA

    
	2010 - 2011&#38;nbsp; &#38;nbsp; 
	Multiplied Contemporary Editions Fair, Christie's.&#38;nbsp;London, The UK

    
Residency

	2023&#38;nbsp; &#38;nbsp;
	Horanggasy Creative Studio. Gwangju, The Republic of Korea
    
    
	2018 &#38;nbsp;
	Artist in Residence.&#38;nbsp;Zen Centre Regensburg, Germany
    

	2012
	Artist in Residence. Heal’s Tottenhal Court Road.&#38;nbsp;Jelous Gallery. London, The UK

    
Talk, Workshop &#38;amp; Feature


	2025&#38;nbsp; &#38;nbsp;11&#38;nbsp;
	[Panel Presentation]. 15th International Illustration Research SymposiumThe Apparatus: The Role of Technology in Illustration. Koç University.Istanbul. Türkiye
    
	2024&#38;nbsp; &#38;nbsp;12&#38;nbsp;
	
	Generate Generate!. [Workshop &#38;amp; Discussion] on&#38;nbsp;Generative AI, Camberwell Space. The UK 
    
        
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 11&#38;nbsp;
	Argue with 4 Angry Women. [interactive public discussion] on Gen AI from a feminist perspective.&#38;nbsp;Camberwell Space, The UK
    

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 01&#38;nbsp;
	Artist talk &#38;amp; workshop for History of translation as history of philosophy &#38;amp; Sources of Korean philosophy. University of Hildesheim. Germany
    

	2023&#38;nbsp; &#38;nbsp;07&#38;nbsp;
	Decolonise knowledge in collaboration with Philosophy. [Talk].&#38;nbsp;UAL Education Conference 2023. London, The UK&#38;nbsp;
    

	2022&#38;nbsp; &#38;nbsp;11&#38;nbsp;
	Action Research. [Talk]. Academic Practice. PgCert, UAL. London, The UK&#38;nbsp;
    
   
	2022&#38;nbsp; &#38;nbsp;02&#38;nbsp;
	Design Without Elective.&#38;nbsp;[Workshop].&#38;nbsp; Royal College of Art. London, The UK&#38;nbsp;
    
    
	2021&#38;nbsp; &#38;nbsp;12&#38;nbsp;
	4 Drawings. [Workshop].&#38;nbsp;Emphatic Design for Sustainable City with PaTI &#38;amp; Indonesia
    
      
	2020&#38;nbsp; &#38;nbsp;02&#38;nbsp;
	Collective Breathing. [Workshop]. Somerset House. London, The UK

    
	2019&#38;nbsp; &#38;nbsp;11
	[Panel Presentation]. The 10th International Illustration Research Symposium.&#38;nbsp;Illustrating Mental Health.&#38;nbsp;The Art House. Worcester, The UK (Funded by UCA Research Grant)
    

	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 06
	AR drawing commissioned by BP. [Public Engagement]. Women In Silicon Roundabout, Excel Centre. London, The UK
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 02
	Mind Canvas.&#38;nbsp;[Artist Talk].&#38;nbsp;The Book Club. London, The UK
	2018&#38;nbsp; &#38;nbsp;01
	Eight artworks inspired by mental health problems. [Publicity]. The Guardian. The UK

    
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;01
	The ability to express yourself has power.&#38;nbsp;[Publicity].&#38;nbsp;Metro. The UK

    
	2012&#38;nbsp; &#38;nbsp;02 
	Art encounters. [Publicity]. Jealous pop-up studio at heal’s.&#38;nbsp;The UK


Editorial


	2025&#38;nbsp; &#38;nbsp;10&#38;nbsp;
	Cover, fiction &#38;amp; non-fiction Illustration&#38;nbsp;(2025)&#38;nbsp;Asymptote Journal Oct 2025
    
    
	2025&#38;nbsp; &#38;nbsp;03&#38;nbsp;
	Two illustrations: Park. S (2025) ‘Autopilot’, Achimdal Books


	2020 &#38;nbsp; 09&#38;nbsp;
	Book Cover illustration: Grose. A (2020) ‘A Guide to Eco-Anxiety’, Watkins Publishing


	Academia


	2023 - Present
	Senior Lecturer 0.6 FTA Fellow of the Higher Education Academy (FHEA), Illustration Programme, Camberwell College of Arts,&#38;nbsp;University of the Arts London


	2020 - Present
	Associate Lecturer, MA Graphic Communication Design, Central Saint Martins,&#38;nbsp;University of the Arts London


	2021 - 2023
	
	Lecturer 0.6 FTA, Illustration Programme, Camberwell College of Arts, University of the Arts London


	2022 &#38;nbsp;
	Visiting Lecturer, MA Visual Communication Design, Royal College of Art


	2019 - 2021
	Associate Lecturer, BA Illustration, Camberwell College of Arts, University of the Arts London


	2019 - 2020
	Lecturer 0.6 FTA, BA Illustration &#38;amp; Animation, MA Visual Communication,&#38;nbsp;University for the Creative Arts


	2018 - 2019
	Sessional Lecturer, BA Illustration &#38;amp; Animation,&#38;nbsp;University for the Creative Arts
    

	2019
	Visiting Lecturer, BA Graphic Arts,&#38;nbsp;Winchester School of Art,&#38;nbsp;University of Southampton
    

	2018
	Visiting Lecturer, BA Illustration,&#38;nbsp;University of Worcester
    
    
	2015
	Visiting Lecturer &#38;amp; Workshop facilitator, Paju Typography Institute, Ulsan University &#38;amp;&#38;nbsp;Ulsan National Institute of Science and Technology
    

	&#38;nbsp; &#38;nbsp; 
	

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		<title>25_humanstudy</title>
				
		<link>https://jayoonchoi.com/25_humanstudy</link>

		<pubDate>Wed, 20 Aug 2025 11:34:50 +0000</pubDate>

		<dc:creator>Jayoon Choi</dc:creator>

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	2011 - now
	
	
&#60;img width="2503" height="1735" width_o="2503" height_o="1735" data-src="https://freight.cargo.site/t/original/i/d75747992ed60248f4e644e2a274320002e06f3c3d521535a302f5956c94b725/18dec_contemplation_on_death.jpg" data-mid="237231868" border="0" alt="Contemplation on Death Meditation 01 / 2018 / pencil &#38;amp; paper / 594 x 841 mm" data-caption="Contemplation on Death Meditation 01 / 2018 / pencil &#38;amp; paper / 594 x 841 mm" src="https://freight.cargo.site/w/1000/i/d75747992ed60248f4e644e2a274320002e06f3c3d521535a302f5956c94b725/18dec_contemplation_on_death.jpg" /&#62;
&#60;img width="2437" height="1716" width_o="2437" height_o="1716" data-src="https://freight.cargo.site/t/original/i/809901595300e8797638c2119ecb5be8938559869538a7b9922feb92f21ae305/21_contemplation_on_death_meditation_02.jpg" data-mid="237231869" border="0" alt="Choi, J. (2021). Contemplation on Death Meditation 02. [pencil &#38;amp; paper]. 60 x 84 cm" data-caption="Choi, J. (2021). Contemplation on Death Meditation 02. [pencil &#38;amp; paper]. 60 x 84 cm" src="https://freight.cargo.site/w/1000/i/809901595300e8797638c2119ecb5be8938559869538a7b9922feb92f21ae305/21_contemplation_on_death_meditation_02.jpg" /&#62;
&#60;img width="2622" height="1211" width_o="2622" height_o="1211" data-src="https://freight.cargo.site/t/original/i/2c2d14fab80ddb338085f82dc07ac9f5882a9ce58f31ff21d956f6381397e96e/the_kingdom_of___s.jpg" data-mid="237231873" border="0" alt="Choi, J. (2017). The Kingdom of _______. [Pencil, Marker &#38;amp; Paper]. 60 x 126 cm" data-caption="Choi, J. (2017). The Kingdom of _______. [Pencil, Marker &#38;amp; Paper]. 60 x 126 cm" src="https://freight.cargo.site/w/1000/i/2c2d14fab80ddb338085f82dc07ac9f5882a9ce58f31ff21d956f6381397e96e/the_kingdom_of___s.jpg" /&#62;
&#60;img width="2650" height="2000" width_o="2650" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6618dd2818b16e322843bc99e2d2a76c4d39abe80b12f421cf170ebcfd2c679f/pick_your_spot.jpg" data-mid="237231871" border="0" alt="Choi, J. (2017). Pick Your Spot. [Pencil, Marker &#38;amp; Paper]. 60 x 80 cm" data-caption="Choi, J. (2017). Pick Your Spot. [Pencil, Marker &#38;amp; Paper]. 60 x 80 cm" src="https://freight.cargo.site/w/1000/i/6618dd2818b16e322843bc99e2d2a76c4d39abe80b12f421cf170ebcfd2c679f/pick_your_spot.jpg" /&#62;
&#60;img width="1000" height="1058" width_o="1000" height_o="1058" data-src="https://freight.cargo.site/t/original/i/ecd927120111396dc260e538f7033b5b65b2edc36988eabeefef306cd350eac0/2017_shall_we_dance_SM.jpg" data-mid="237231872" border="0" alt="Choi, J. (2017). Shall We Dance..?. [Indian Ink on Paper] 30 x 31 cm" data-caption="Choi, J. (2017). Shall We Dance..?. [Indian Ink on Paper] 30 x 31 cm" src="https://freight.cargo.site/w/1000/i/ecd927120111396dc260e538f7033b5b65b2edc36988eabeefef306cd350eac0/2017_shall_we_dance_SM.jpg" /&#62;
&#60;img width="1500" height="1411" width_o="1500" height_o="1411" data-src="https://freight.cargo.site/t/original/i/d0fbc733c21480c8eb4904e6fdb448b7ba37b41dc91fc111be7389d86b22b2d9/2016_waking_up_from_a_nightmare_sm.jpg" data-mid="237231870" border="0" alt="Choi, J. (2016). Waking Up From A Nightmare. [Pencil &#38;amp; Paper]. 31 x 30 cm" data-caption="Choi, J. (2016). Waking Up From A Nightmare. [Pencil &#38;amp; Paper]. 31 x 30 cm" src="https://freight.cargo.site/w/1000/i/d0fbc733c21480c8eb4904e6fdb448b7ba37b41dc91fc111be7389d86b22b2d9/2016_waking_up_from_a_nightmare_sm.jpg" /&#62;
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&#60;img width="1093" height="1024" width_o="1093" height_o="1024" data-src="https://freight.cargo.site/t/original/i/08a72e5b85f2a5813bdfb372f2df1d0268419a937ef473ad5ecb87f609a6b904/15_silent.jpg" data-mid="237231879" border="0" alt="Choi, J. (2015). Silent Murder. [Indian Ink, Petal, Tea, Marker, Pencil &#38;amp; Paper]. 63 x 59 cm" data-caption="Choi, J. (2015). Silent Murder. [Indian Ink, Petal, Tea, Marker, Pencil &#38;amp; Paper]. 63 x 59 cm" src="https://freight.cargo.site/w/1000/i/08a72e5b85f2a5813bdfb372f2df1d0268419a937ef473ad5ecb87f609a6b904/15_silent.jpg" /&#62;
&#60;img width="1024" height="1073" width_o="1024" height_o="1073" data-src="https://freight.cargo.site/t/original/i/124abe340f1d858f8ea41bece0ba9450e1a40aa5b57b7b4d4c0dfe7d401004ba/15_pray.jpg" data-mid="237231880" border="0" alt="Choi, J. (2015). Pray, Let It Pay For You To Know Me. [Indian Ink, Petal, Tea, Marker, Pencil on Paper]. 42 x 44 cm" data-caption="Choi, J. (2015). Pray, Let It Pay For You To Know Me. [Indian Ink, Petal, Tea, Marker, Pencil on Paper]. 42 x 44 cm" src="https://freight.cargo.site/w/1000/i/124abe340f1d858f8ea41bece0ba9450e1a40aa5b57b7b4d4c0dfe7d401004ba/15_pray.jpg" /&#62;
&#60;img width="1624" height="500" width_o="1624" height_o="500" data-src="https://freight.cargo.site/t/original/i/e8798f5ca41fe0ce1687cc9c8884f05b081abe5ead56d2b9fcf61949ee86544d/jayoon_choi_13_sleeping_lyingdwn_rollingaround-6058.png" data-mid="237231877" border="0" alt="Choi, J. (2013). Sleeping, Lying Down and Rolling Around. [Pencil, Paper &#38;amp; Digital] 200 x 100 cm" data-caption="Choi, J. (2013). Sleeping, Lying Down and Rolling Around. [Pencil, Paper &#38;amp; Digital] 200 x 100 cm" src="https://freight.cargo.site/w/1000/i/e8798f5ca41fe0ce1687cc9c8884f05b081abe5ead56d2b9fcf61949ee86544d/jayoon_choi_13_sleeping_lyingdwn_rollingaround-6058.png" /&#62;
&#60;img width="3491" height="2466" width_o="3491" height_o="2466" data-src="https://freight.cargo.site/t/original/i/f9cf6a9f8e59af5a5e2e9af4c0526605d4c80ea8468bf690f88c83d46a3e22a3/jayoon_choi_it_is_fine_04.jpg" data-mid="237231875" border="0" alt="Choi, J. (2012). It Is Fine. [Pencil on Paper]. 21 &#38;times; 30 cm" data-caption="Choi, J. (2012). It Is Fine. [Pencil on Paper]. 21 × 30 cm" src="https://freight.cargo.site/w/1000/i/f9cf6a9f8e59af5a5e2e9af4c0526605d4c80ea8468bf690f88c83d46a3e22a3/jayoon_choi_it_is_fine_04.jpg" /&#62;
&#60;img width="3488" height="2526" width_o="3488" height_o="2526" data-src="https://freight.cargo.site/t/original/i/050c267d839d0880e284f09676a2f4b6795a4d22fb7bc42b23230b9863f09a48/jayoon_choi_hug.jpg" data-mid="237231876" border="0" alt="Choi, J. (2011). Hug. [Pencil on Paper]. 21 x 30 cm" data-caption="Choi, J. (2011). Hug. [Pencil on Paper]. 21 x 30 cm" src="https://freight.cargo.site/w/1000/i/050c267d839d0880e284f09676a2f4b6795a4d22fb7bc42b23230b9863f09a48/jayoon_choi_hug.jpg" /&#62;
&#60;img width="4437" height="3509" width_o="4437" height_o="3509" data-src="https://freight.cargo.site/t/original/i/0197c0c77daa6ee01a8c9af53fe2f35ce7eb064413eab795a8dff365b028f2cf/fear.jpg" data-mid="237231874" border="0" alt="Choi, J. (2011). Fear. Indian ink on Paper. " data-caption="Choi, J. (2011). Fear. Indian ink on Paper. " src="https://freight.cargo.site/w/1000/i/0197c0c77daa6ee01a8c9af53fe2f35ce7eb064413eab795a8dff365b028f2cf/fear.jpg" /&#62;


	︎BeforeNext︎

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	</item>
		
		
	<item>
		<title>25_Rock Study</title>
				
		<link>https://jayoonchoi.com/25_Rock-Study</link>

		<pubDate>Tue, 19 Aug 2025 09:03:54 +0000</pubDate>

		<dc:creator>Jayoon Choi</dc:creator>

		<guid isPermaLink="true">https://jayoonchoi.com/25_Rock-Study</guid>

		<description>

	2025
	Nov
	Rock Study 25. Upcoming Group exhibition, Istanbul, Türkiye (Funded by CCW Design School)

&#60;img width="1024" height="1448" width_o="1024" height_o="1448" data-src="https://freight.cargo.site/t/original/i/be4fd8089c61e578660000656594f252a52c8d14754444dd022a7d6262cec81d/25_rock_study_01_m.jpg" data-mid="237533972" border="0" alt="Choi, J. (2025). Rock Study 25. [Digital]. 42 x 60 cm." data-caption="Choi, J. (2025). Rock Study 25. [Digital]. 42 x 60 cm." src="https://freight.cargo.site/w/1000/i/be4fd8089c61e578660000656594f252a52c8d14754444dd022a7d6262cec81d/25_rock_study_01_m.jpg" /&#62;

My fascination lies in


how drawing in VR translates the hand movements of the drawing process into sculpture and structures 3D space.
In Rock Study 25, I used VR Gravity Sketch to map the conceptual interior of a rock. The act of drawing in VR creates the illusion of being inside the drawing while structuring it. This approach allows the subject to be explored at a skewed composition that would otherwise be impossible. This immersive creative process expands the limits of representation that may exist in a conventional 2D drawing approach and enables a more expansive observation of the subject. Through slit-scan techniques, I reinterpreted hand-drawn studies of the rock and composed the final image in Blender and Photoshop to reflect my observation of it.
This creative process explores how VR spatial drawing can connect with traditional hand drawing, aiming to retain the delicacy of observational drawing through digital tools and present it in physical prints.


	2023
	
	
&#60;img width="1619" height="1130" width_o="1619" height_o="1130" data-src="https://freight.cargo.site/t/original/i/534769a81e540d8dcc0c671dbd6f987bc1592de276f23ebd75bbf4c1e938a590/23MAR_rock_study_00.jpg" data-mid="237180767" border="0" alt="Choi, J. (2023). Rock Study. [Pencil on Paper] 30 x 42 cm" data-caption="Choi, J. (2023). Rock Study. [Pencil on Paper] 30 x 42 cm" src="https://freight.cargo.site/w/1000/i/534769a81e540d8dcc0c671dbd6f987bc1592de276f23ebd75bbf4c1e938a590/23MAR_rock_study_00.jpg" /&#62;

'As a poet, you'll see preciousness even in a rock on a street corner.' I encountered this idea as a child and found it baffling. ‘What is so special about rocks? A rock was just a rock!’ So I kicked every rock I passed.

As my creative practice has evolved, I've begun to perceive the world's delicate complexity compressed into solid forms. Each rock carries the memory of molten magma, preserving the record of its slow cooling and the stages of fragmentation. I find myself imagining what mysteries lie beneath these weathered surfaces. A rock is never just a rock; it holds the entire history of Earth within its fractured geometry.

Here I share a selection of rock study drawings, with more to follow.

	2021
	
	
&#60;img width="1512" height="1237" width_o="1512" height_o="1237" data-src="https://freight.cargo.site/t/original/i/cec439f234e33db5b1a962ad30f234cc3e19e5f013bcc1d5555300bf67462c16/21_Rock_study_10.jpg" data-mid="237180963" border="0" alt="Choi, J. (2021). Autumn Stone. [Pencil on Paper] 54 x 55 cm" data-caption="Choi, J. (2021). Autumn Stone. [Pencil on Paper] 54 x 55 cm" src="https://freight.cargo.site/w/1000/i/cec439f234e33db5b1a962ad30f234cc3e19e5f013bcc1d5555300bf67462c16/21_Rock_study_10.jpg" /&#62;


	︎BeforeNext︎

</description>
		
	</item>
		
		
	<item>
		<title>24_TheFuturePerfect</title>
				
		<link>https://jayoonchoi.com/24_TheFuturePerfect</link>

		<pubDate>Fri, 15 Aug 2025 13:49:42 +0000</pubDate>

		<dc:creator>Jayoon Choi</dc:creator>

		<guid isPermaLink="true">https://jayoonchoi.com/24_TheFuturePerfect</guid>

		<description>

	2024
	May
	The Future Perfect. Group exhibition, Ebenböckhaus/ Munich, Germany (Funded by Landeshauptstadt München)


&#60;img width="720" height="960" width_o="720" height_o="960" data-src="https://freight.cargo.site/t/original/i/3b882ce2e325dd53b0a92f1b6e93de8d1b897336106f5e8e7f88913d60ff2e7e/Sequence-01_3.gif" data-mid="237065061" border="0" alt="Choi, J. (2024). Future Perfect. [Digital print on silk]. 210 x 136 cm, Ebenb&#38;ouml;ckhaus, Germany." data-caption="Choi, J. (2024). Future Perfect. [Digital print on silk]. 210 x 136 cm, Ebenböckhaus, Germany." src="https://freight.cargo.site/w/720/i/3b882ce2e325dd53b0a92f1b6e93de8d1b897336106f5e8e7f88913d60ff2e7e/Sequence-01_3.gif" /&#62;
- If we had already arrived in the future, where every unknown question of the future had been answered, how would creativity respond to it? -This was the project brief to contemplate, and in response, I started magnifying the soil, stone, dust and particles gathered around my studio space. It opened up the concept of the life cycle by shifting away from a human-centric perspective, instead of ‘seeing’ the universe that can be found by looking into the trivial around us. In a handful of soil lies the sedimented remains of those who lived and passed before us, leaving behind their accumulated bodies. Though the future may not be tangible yet, we can envision its eventual arrival. By returning to the very ground beneath our feet, we can anticipate a warm reunion with our predecessors. My future is laid in the soil within my hands. The “Future Perfect” project attempts to provide a glimpse into the future in multi-interdisciplinary exhibitions and events from literature: Sujin Seo, Cheon Seonran, art: Danilo Bastione, Nikolai Vogel and music: Taehun Lee &#38;amp;&#38;nbsp;Ardhi Engl.The exhibition runs between 17 May - 2 June 2024 in Ebenböckhaus.


	︎BeforeNext︎

</description>
		
	</item>
		
		
	<item>
		<title>23_Sweetdream</title>
				
		<link>https://jayoonchoi.com/23_Sweetdream</link>

		<pubDate>Fri, 15 Aug 2025 13:50:01 +0000</pubDate>

		<dc:creator>Jayoon Choi</dc:creator>

		<guid isPermaLink="true">https://jayoonchoi.com/23_Sweetdream</guid>

		<description>


	2023
	Dec

	War and Peace, and Now: the Beginning of Peace Beyond Borders. Group exhibition, Visual Information Design Association of Korea.&#38;nbsp;Seoul, The Republic of Korea

&#60;img width="1417" height="2025" width_o="1417" height_o="2025" data-src="https://freight.cargo.site/t/original/i/3e52c21dfe22c7857cffefbaf9d460ca2411032a9cc782d3023edc9718241b93/UK_Jayoon_Choi_Until_the_dream_becomes_sweeter_Catalogue.jpg" data-mid="237065109" border="0" alt="Choi, J. (2023) Until The Dream Becomes Sweeter. [Digital] 297 x 420 mm" data-caption="Choi, J. (2023) Until The Dream Becomes Sweeter. [Digital] 297 x 420 mm" src="https://freight.cargo.site/w/1000/i/3e52c21dfe22c7857cffefbaf9d460ca2411032a9cc782d3023edc9718241b93/UK_Jayoon_Choi_Until_the_dream_becomes_sweeter_Catalogue.jpg" /&#62;
&#60;img width="3387" height="2784" width_o="3387" height_o="2784" data-src="https://freight.cargo.site/t/original/i/a3e27cad47726960652a39dcab5c5a6c775865b3899aec36e3c5f4eccea5042f/403608498_739365647527441_3020450007618965330_nx.jpg" data-mid="237065111" border="0" alt="Choi, J. (2023) Until The Dream Becomes Sweeter. [Print] 297 x 420 mm, DDP, Seoul, S. Korea." data-caption="Choi, J. (2023) Until The Dream Becomes Sweeter. [Print] 297 x 420 mm, DDP, Seoul, S. Korea." src="https://freight.cargo.site/w/1000/i/a3e27cad47726960652a39dcab5c5a6c775865b3899aec36e3c5f4eccea5042f/403608498_739365647527441_3020450007618965330_nx.jpg" /&#62;

	‘Good night, sweet dreams’ . One says this phrase for granted at the end of the day. Yet this very mundane is an unachievable one for those who are in threat of their very life in every moment. Until all of our dreams become a little sweeter- Sending solidarity to Gaza, Ukraine and for all who are in suffering.


	︎BeforeNext︎

</description>
		
	</item>
		
		
	<item>
		<title>23_Horrangassy</title>
				
		<link>https://jayoonchoi.com/23_Horrangassy</link>

		<pubDate>Fri, 15 Aug 2025 13:51:51 +0000</pubDate>

		<dc:creator>Jayoon Choi</dc:creator>

		<guid isPermaLink="true">https://jayoonchoi.com/23_Horrangassy</guid>

		<description>

	2023
	
	Under The Surface.&#38;nbsp;Group exhibition, Horanggasy ArtPolygon/ Gwangju, The Republic of Korea

&#60;img width="2481" height="2481" width_o="2481" height_o="2481" data-src="https://freight.cargo.site/t/original/i/d60c7b12e5b0873b167b162f16f194b18b10719038a390e41000f6d0e9262dbf/23_we_dont_know_what_we_will_become_until_our_next_encounter_m.jpg" data-mid="237065158" border="0" alt="Choi, J. (2023) We Don't Know What We Will Become Until Our Next Encounter. [Digital]" data-caption="Choi, J. (2023) We Don't Know What We Will Become Until Our Next Encounter. [Digital]" src="https://freight.cargo.site/w/1000/i/d60c7b12e5b0873b167b162f16f194b18b10719038a390e41000f6d0e9262dbf/23_we_dont_know_what_we_will_become_until_our_next_encounter_m.jpg" /&#62;
In August 2023, Jayoon undertook a brief residency at Horanggasy Creative Studio. She spent most of her time wandering the residential streets of Yangnim and Gwangju at large. An anonymous elderly woman, perhaps in her sixties, passed by her, and suddenly, as if experiencing déjà vu, something surfaced that she may have left behind when she departed Korea in the 90s. Something familiar yet corrupted, something both intimate and alien, embodied in the figure of an anonymous elderly lady -아줌마- who could perpetually pass by unnoticed.

Afterwards, this encounter, like glimpsing a ghost that doesn't exist in the world yet has always been there, inspired her to develop a ghostly slit-scan imaging aesthetic that captures these fleeting, spectral presences.

&#60;img width="3837" height="2877" width_o="3837" height_o="2877" data-src="https://freight.cargo.site/t/original/i/173153558b6080bf16df35d5ae5843bd34c177e8bb53737a3d6371e0eecf0972/IMG_7372.png" data-mid="237072713" border="0"  src="https://freight.cargo.site/w/1000/i/173153558b6080bf16df35d5ae5843bd34c177e8bb53737a3d6371e0eecf0972/IMG_7372.png" /&#62;
&#60;img width="1172" height="1566" width_o="1172" height_o="1566" data-src="https://freight.cargo.site/t/original/i/5cfa97f09bfc870d994bf116b520e392efa326038d30cf926bc4645320f67c89/Screenshot-2025-08-15-at-21.24.19.png" data-mid="237072716" border="0"  src="https://freight.cargo.site/w/1000/i/5cfa97f09bfc870d994bf116b520e392efa326038d30cf926bc4645320f67c89/Screenshot-2025-08-15-at-21.24.19.png" /&#62;
&#60;img width="1176" height="1458" width_o="1176" height_o="1458" data-src="https://freight.cargo.site/t/original/i/8bd721497fc42db0b7a7eb9e4892b1ef5ea5edb317d1b3e162989f916b6ba832/Screenshot-2025-08-15-at-21.24.05.png" data-mid="237072715" border="0"  src="https://freight.cargo.site/w/1000/i/8bd721497fc42db0b7a7eb9e4892b1ef5ea5edb317d1b3e162989f916b6ba832/Screenshot-2025-08-15-at-21.24.05.png" /&#62;
&#60;img width="2158" height="2846" width_o="2158" height_o="2846" data-src="https://freight.cargo.site/t/original/i/4e468e2eb5e21cd64cbefc5699c743f2bd4a129ea12182dd3b9c0bd07c9a91bf/IMG_7126.png" data-mid="237072712" border="0"  src="https://freight.cargo.site/w/1000/i/4e468e2eb5e21cd64cbefc5699c743f2bd4a129ea12182dd3b9c0bd07c9a91bf/IMG_7126.png" /&#62;
&#60;img width="2086" height="1558" width_o="2086" height_o="1558" data-src="https://freight.cargo.site/t/original/i/691fce5991dcf0ae213f5f54491a47e8b4054d3ad6b27a45cdda6f02a8e099ce/Screenshot-2025-08-15-at-21.24.57.png" data-mid="237072719" border="0"  src="https://freight.cargo.site/w/1000/i/691fce5991dcf0ae213f5f54491a47e8b4054d3ad6b27a45cdda6f02a8e099ce/Screenshot-2025-08-15-at-21.24.57.png" /&#62;


	︎BeforeNext︎

</description>
		
	</item>
		
		
	<item>
		<title>18_nietzsche</title>
				
		<link>https://jayoonchoi.com/18_nietzsche</link>

		<pubDate>Mon, 03 Aug 2020 11:23:21 +0000</pubDate>

		<dc:creator>Jayoon Choi</dc:creator>

		<guid isPermaLink="true">https://jayoonchoi.com/18_nietzsche</guid>

		<description>
	2017
	-18


&#60;img width="2000" height="902" width_o="2000" height_o="902" data-src="https://freight.cargo.site/t/original/i/0720bd6a80eb7b4002e150a1451f1e40609241567a7b35b3976342d94105ed66/birth_king.jpg" data-mid="78986771" border="0" alt="Choi, J. (2017). The Birth. [Digital, Indian Ink on Paper]. 62 x 28 cm" data-caption="Choi, J. (2017). The Birth. [Digital, Indian Ink on Paper]. 62 x 28 cm" src="https://freight.cargo.site/w/1000/i/0720bd6a80eb7b4002e150a1451f1e40609241567a7b35b3976342d94105ed66/birth_king.jpg" /&#62;
&#60;img width="4249" height="1453" width_o="4249" height_o="1453" data-src="https://freight.cargo.site/t/original/i/8c30f20e628615a5b58c80721b86f030e7c73797baaf150657859073eb4ae760/mad_dad_02.jpg" data-mid="78986770" border="0" alt="Choi, J. (2017). The Mad Dad. [Digital, Pencil, Ink on Paper]. 36 x 12 cm" data-caption="Choi, J. (2017). The Mad Dad. [Digital, Pencil, Ink on Paper]. 36 x 12 cm" src="https://freight.cargo.site/w/1000/i/8c30f20e628615a5b58c80721b86f030e7c73797baaf150657859073eb4ae760/mad_dad_02.jpg" /&#62;
&#60;img width="2500" height="2180" width_o="2500" height_o="2180" data-src="https://freight.cargo.site/t/original/i/6ac247a0141dc13f3cf4c2154815c5680c4a8f7993bd14eba91767e5b1b5d0d1/nietzche_headache_m.jpg" data-mid="78986751" border="0" alt="Choi, J. (2018). The Headache. [Indian Ink on paper]. 84 x 73 cm" data-caption="Choi, J. (2018). The Headache. [Indian Ink on paper]. 84 x 73 cm" src="https://freight.cargo.site/w/1000/i/6ac247a0141dc13f3cf4c2154815c5680c4a8f7993bd14eba91767e5b1b5d0d1/nietzche_headache_m.jpg" /&#62;
&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/0d4c46055b4c4fb8f18c0f5aec8047c6db885d40e026c5bfe1fee39f7169460c/wagner_antidote_s_.jpg" data-mid="78986744" border="0" alt="Choi, J. (2018). The Antitoxin. [Digital]. 84 x 84 cm" data-caption="Choi, J. (2018). The Antitoxin. [Digital]. 84 x 84 cm" src="https://freight.cargo.site/w/1000/i/0d4c46055b4c4fb8f18c0f5aec8047c6db885d40e026c5bfe1fee39f7169460c/wagner_antidote_s_.jpg" /&#62;


	︎BeforeNext︎
</description>
		
	</item>
		
		
	<item>
		<title>19_ConcentricSpeheres</title>
				
		<link>https://jayoonchoi.com/19_ConcentricSpeheres</link>

		<pubDate>Fri, 15 Aug 2025 16:19:49 +0000</pubDate>

		<dc:creator>Jayoon Choi</dc:creator>

		<guid isPermaLink="true">https://jayoonchoi.com/19_ConcentricSpeheres</guid>

		<description>


	2019 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

	
June
	The Theory of Concentric Spheres. Yan Tan Tether. Group exhibition. Huddersfield, The UK (Funded by Arts Council England)In 2019, Jayoon was commissioned to create a visual response to the theory of the concentric sphere, commonly known as the Hollow Earth theory. Through the lens of the four fundamental forces of nature, Jayoon explored the connection between humans and the planet, recognising that both are composed of atoms.

This idea suggests that the Earth is hollow, just as the self is, echoing Buddhist philosophy, which speaks of emptiness at the core of existence. This led to deeper questions: What lies at the centre of oneself? What is the journey toward the very origin of being? What forms the unshakable core?

Walk into Gravity draws from Buddhist philosophy and meditation techniques in response to the concentric sphere theory. It examines the pursuit of emptiness through automatic drawing, intentionally disrupting habitual movement. By engaging the less dominant left hand to hack the dominant right hand, the process unlocks uncharted layers of expression, generating an unprecedented creative response in the search for emptiness.


&#60;img width="1414" height="2000" width_o="1414" height_o="2000" data-src="https://freight.cargo.site/t/original/i/057f7e5984efe1af0cddef2d0b368aa111898d43739966c01b44758b037abfeb/YTT_poster_v04_sm.jpg" data-mid="237068801" border="0"  src="https://freight.cargo.site/w/1000/i/057f7e5984efe1af0cddef2d0b368aa111898d43739966c01b44758b037abfeb/YTT_poster_v04_sm.jpg" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/5a8cc48cbeb0d35aab5f28229b8d158584932497d1c1cd3c5acab464e575512c/030A0413_edit.jpg" data-mid="237068812" border="0" alt="Left: Choi, J. (2019) / Right: Warburton, A. (2014) Psychometrics. Exhibition documentation, Image from yantantether.org" data-caption="Left: Choi, J. (2019) / Right: Warburton, A. (2014) Psychometrics. Exhibition documentation, Image from yantantether.org" src="https://freight.cargo.site/w/1000/i/5a8cc48cbeb0d35aab5f28229b8d158584932497d1c1cd3c5acab464e575512c/030A0413_edit.jpg" /&#62;


	Mar
	
	The Theory of Concentric Spheres. Group Exhibition. SouthKiosk , London, The UK.
&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/e036aa50d563e782a89e31a0e0f95f394eada3db6468f40aca8a0a06e8d632b1/DSC_5169_sm.jpg" data-mid="237068798" border="0" alt="(2019) Exhibition documentation, photographed by Ben Evans James, South Kiosk, London" data-caption="(2019) Exhibition documentation, photographed by Ben Evans James, South Kiosk, London" src="https://freight.cargo.site/w/1000/i/e036aa50d563e782a89e31a0e0f95f394eada3db6468f40aca8a0a06e8d632b1/DSC_5169_sm.jpg" /&#62;
&#60;img width="3525" height="2000" width_o="3525" height_o="2000" data-src="https://freight.cargo.site/t/original/i/599172f2855f69a3d06f8bdd7ffa10f94c5f8626d9c0da3e6253e281203899df/DSC_5292_sm.jpg" data-mid="237068799" border="0" alt="(2019) Exhibition documentation, photographed by Ben Evans James, South Kiosk, London" data-caption="(2019) Exhibition documentation, photographed by Ben Evans James, South Kiosk, London" src="https://freight.cargo.site/w/1000/i/599172f2855f69a3d06f8bdd7ffa10f94c5f8626d9c0da3e6253e281203899df/DSC_5292_sm.jpg" /&#62;
&#60;img width="1359" height="1080" width_o="1359" height_o="1080" data-src="https://freight.cargo.site/t/original/i/740332fb392597b9f58fcd63fc6822a41e61a1d07ba88f2770e9b2a2a5e017a9/DSC_5262Insta.jpg" data-mid="237068800" border="0" alt="(2019) Exhibition documentation, photographed by Ben Evans James, South Kiosk, London" data-caption="(2019) Exhibition documentation, photographed by Ben Evans James, South Kiosk, London" src="https://freight.cargo.site/w/1000/i/740332fb392597b9f58fcd63fc6822a41e61a1d07ba88f2770e9b2a2a5e017a9/DSC_5262Insta.jpg" /&#62;


	︎BeforeNext︎

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		<title>15_The_Radio</title>
				
		<link>https://jayoonchoi.com/15_The_Radio</link>

		<pubDate>Fri, 15 Aug 2025 18:20:50 +0000</pubDate>

		<dc:creator>Jayoon Choi</dc:creator>

		<guid isPermaLink="true">https://jayoonchoi.com/15_The_Radio</guid>

		<description>
	2015
	Nov

	The Radio performance, Wire Arts Experiment vol.2
Hackesche Höfe, Berlin, GermanyIn collaboration with Jae Kyung Kim


Jae Kyung and Jayoon developed one of their MA group projects, The Radio at RCA, into an interactive installation and presented it in Berlin. 
The piece exposes the vast amount of personal information we upload online without realising it can be publicly accessed. Though we experience a sense of agency when reading data, hearing our private information broadcast as sound through radio waves makes our digital vulnerability impossible to ignore.

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/036042bac344c521e4116d3356b532253cc0e1c396c5943c7ee77787b61d262d/15_radio_04.png" data-mid="237071095" border="0" alt="Choi, J &#38;amp; Kim, J. (2015) The Radio, [installation]. Hackesche H&#38;ouml;fe, Berlin, Germany. Documented by Yimiao Shih " data-caption="Choi, J &#38;amp; Kim, J. (2015) The Radio, [installation]. Hackesche Höfe, Berlin, Germany. Documented by Yimiao Shih " src="https://freight.cargo.site/w/1000/i/036042bac344c521e4116d3356b532253cc0e1c396c5943c7ee77787b61d262d/15_radio_04.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/1905719846ad2f202a9f6f5a1080e27fad050500e2eed8232bf52f882a16621f/15_radio_03.png" data-mid="237071096" border="0" alt="Choi, J &#38;amp; Kim, J. (2015) The Radio, [installation]. Hackesche H&#38;ouml;fe, Berlin, Germany. Documented by Yimiao Shih " data-caption="Choi, J &#38;amp; Kim, J. (2015) The Radio, [installation]. Hackesche Höfe, Berlin, Germany. Documented by Yimiao Shih " src="https://freight.cargo.site/w/1000/i/1905719846ad2f202a9f6f5a1080e27fad050500e2eed8232bf52f882a16621f/15_radio_03.png" /&#62;


	︎BeforeNext︎


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